In 2017, shortly after completing my studies focused on self-portraiture, I continued working in a less methodical manner, closer to a state of searching.

The images were made in a room of a disused cinema. I returned, alone, with the camera and a few improvised objects, trying to observe what remains visible from an unstable inner state.

The series was not conceived as a closed project, but as an exercise in presence — an attempt to give form to confusion.